Godzilla Planet Eater GODZILLA The Planet Eater
Der mächtige, dreiköpfige Riesendrache King Ghidorah droht, die Erde und die darauf lebenden Menschen zu zerstören. Die Menschheit muss sich mit Godzilla zusammenschließen, um ihren Planeten vor dem Monster zu retten, bevor es zu spät ist. Godzilla - The Planet Eater ein Film von Hiroyuki Seshita und Kobun Shizuno. Inhaltsangabe: Dritter Teil der animierten „Godzilla“-Filmreihe, die in Deutschland. „Godzilla: The Planet Eater“ // Deutschland-Start: 9. Januar (Netflix). Alle Versuche der Menschen sind fehlgeschlagen, keiner von ihnen. Man hat mit der Anime Form alle Möglichkeiten, stattdessen bekommt man Anime Charakter ohne Sinn und Verstand, sowie 5 min Godzilla Action. Subscribe To MovieAccessTrailers To Catch Up All The New Movie Trailer, Movie Clips, TV Spots GODZILLA The Planet Eater | Netflix Official SiteYour browser. Schnittberichte, News (z.B. Uncut-DVDs & Blu-rays) und Reviews zu Godzilla: The Planet Eater (OT: Godzilla: Hoshi o kû mono | Japan, | Abenteuer. Oct 18, - Japanese movie poster for Godzilla: Planet Eater () Ver:B - Hiroyuki Seshita. Starring Mamoru Miyano, Takahiro Sakurai. Part 3 of the.
Godzilla Planet Eater GODZILLA The Planet Eater Video
Godzilla earth vs King Ghidorah SFX Permalink You are ignoring the author of this comment Show Kündigung Einreichen Manage ignore list ItsDestoroyah 25 months ago Score Stream Anbieter Serien And they look awfully strange, don't you think? Titan of Water 21 months ago. Gojira 23 months ago. Permalink You are ignoring the Epilog of this comment Show comment Manage ignore list Titan of Water 21 months ago Score 1 Could we give some respect to my boy Chris Niosi? Actor's Edward Syndrom on the left, character played on the right. Lachlanowers 24 months ago.Godzilla finally destroys the last portal, and the swirling vortexes disappear as the sky becomes clear again. On the hill, Haruo regains consciousness and finds Metphies laying against a rock.
He approaches Metphies, who places his hands on him and declares that for as long as Haruo lives, Ghidorah will be watching him.
Metphies then lowers his hands and dies. Despite what he had done, Haruo still grieves for the person he long considered his closest friend.
He cradles Metphies' body in his arms and sobs. Months later, and the surviving humans have integrated with Houtua society.
They laid down their weapons and abandoned their armors, adopting the culture and clothing of the Houtua and living alongside them. Maina is pregnant with Haruo's child, and Haruo at last seems to have found some measure of peace and happiness with his new family.
Miana brings Haruo outside to show him a field of blooming flowers. Haruo remarks that even though he was named after spring, this was the first time he truly saw it.
Martin sees Haruo and calls him over to show him something. He explains that he finally figured out how to reactivate the last surviving Vulture from Mechagodzilla City using Nanometal he harvested from Yuko's body.
With the self-replicating ability of Nanometal, he explains, they will be able to completely rebuild human civilization and abandon the Houtua's primitive lifestyle.
Haruo experiences a sudden vision and hears Metphies' voice explain that the cycle of destruction will continue and that time is on his and Ghidorah's side.
Haruo returns to the village and sits next to Miana and Maina. Miana notices that he seems distressed, but he declares he is fine and leaves.
Miana follows him and finds him picking up Yuko's body. She asks what he is doing, but he asks her if she thinks Godzilla is scary.
She says that Godzilla is scary, so Haruo says she must hate him. Miana replies that the Houtua do not have a word for "hate," and while Godzilla is scary storms and natural disasters are scary as well.
The Houtua do not hate Godzilla any more than they hate tornadoes or earthquakes. She tells Haruo that she doesn't understand what he is saying, and he responds that if he stayed that she might understand him, which is what he is afraid of.
That is why he must leave, he says. He picks up Yuko's body and leaves the village, then brings her into the last Vulture. He activates it and begins flying toward Godzilla, who is standing dormant in the open.
As the Vulture approaches, Godzilla awakens and begins charging his electromagnetic energy. Haruo yells at Godzilla that he is the last remnant of humanity's past, and represents all the lives and dreams Godzilla destroyed.
He asks Godzilla to completely burn away the hatred of the past and this time leave nothing behind.
Haruo becomes silent and accepts his fate peacefully as Godzilla obliges and fires his atomic breath at the Vulture, which crashes and explodes.
Many years later, a ritual is held in the Houtua temple. A group of children, descendants of humans interbreeding with the Houtua, offer up cords they made representing negative emotions and ask to be protected from things that scare them.
A priestess burns these cords along with a wooden effigy of the Vulture, asking their "vengeful god" to keep them safe. Seated off to the side, a now elderly Maina proudly looks on.
The front of the pamphlet depicts three intertwined glowing dragon-like necks and heads, clearly representing Ghidorah. The back of the pamphlet features an Exif symbol glowing like the dragon heads on the front, along with a tagline that roughly translates to "Bow down and worship the golden demise.
The official website stated that the film would be the "final chapter" of the saga and would reveal the meaning of the name "Ghidorah" spoken by Metphies.
It also promised that the film would finally feature a monster showdown. A new screenshot of protagonist Haruo Sakaki from the film was also released, along with a brief description of the story, stating that the film would feature Godzilla Earth facing off against Ghidorah.
The official website for the film was updated, providing both Japanese and English story descriptions for the film as well as updated cast and staff lists.
It was also announced that singer XAI would be returning to perform the theme song for the film, " live and die.
On September 20, Toho released 13 new screenshots from the film, most of which were previously included in a short brochure for the film distributed in Toho's cinemas.
It also revealed some more details on Ghidorah, explaining that he has destroyed thousands of planets since destroying the Exif home planet of Exifcalus , years ago, and is worshiped by the Exif as the "Golden King.
On October 19, it was announced that a red carpet event for the film would be held at the Roppongi Hills Arena on October 25, the first day of the Tokyo International Film Festival.
In an article published on October 30, The Washington Times reported that film directors Hiroyuki Seshita and Kobun Shizuno acknowledge that their film is so different it might disappoint some hardcore fans, but also say that is an intentional attempt to reach out to new audiences.
Seshita states that he and Shizuno "welcome getting bashed by traditionalists," arguing that it proves more than anything they succeeded in creating something different.
The two directors then state that rather than simply transferring the well-known tale into a computer animation, they have focused on what they call Shakespearean "human drama" and tackle complex issues, including the meaning of religion, in a futuristic post-apocalyptic universe.
Shizuno admits that he is not a Godzilla "expert," so he simply made a film he thought would be enjoyable. View all posters for the film here.
Meyer gives the film a positive review, and he argues that it "vindicates the trilogy in a way that manages to stay true to it while also being true to the franchise and what fans have come to expect when they sit down for a Godzilla movie.
Meyer is complementary of the character of Metphies , expressing his belief that the character's ambiguous intentions at the start of the film provide a fair deal of intrigue.
Meyer goes on to say that there are many "wacky scenes and wacky lines of dialogue" in the film, but that they are "my kind of crazy.
Here, according to Meyer, scenes of monster action seem to come earlier in the movie, and despite a lack of cities to be destroyed, the sequences of Ghidorah approaching the Aratrum and Godzilla's confrontation with Ghidorah in an open expanse are highlights that make the movie feel like a Toho Godzilla film.
Meyer believes that this film manages to provide a strong and satisfying conclusion to the trilogy: "When the cultists beseech Ghidorah, 'Bring us a glorious finish,' it seems those prayers have been answered for the trilogy itself.
He also says he feels that the framing for the monsters' battle is more impressive than the battle itself. Meyer raises the possibility that the theatrical presentation of the film may have helped it, and that he is unsure if it would leave the same impression for a viewer watching it on Netflix.
Despite all the flaws, Meyer suggests that GODZILLA: The Planet Eater has many positive aspects and memorable moments that both make it stand apart from the previous films and retroactively improve the perception of those films.
Meyer summarizes his thoughts with "Rather than revert to a big dumb monster movie, The Planet Eater is able to balance its kaiju action with life-and-death concerns while wrapping up threads of character drama woven through the trilogy as a whole The movie plays with rich themes that might leave you thinking or scratching your head as you wait for the post-credits scene.
However, he goes on to say that "the more I thought about the movie, the more I felt I understood the spirit of it and what it was trying to say about human nature through the lens of Japanese filmmaking.
He noted that the film was a grim and full of psychologically complex themes as one would expect from the work of Gen Urobuchi.
He highlights the film's central themes, the first of which being the idea that civilizations are destined to advance to the point they create a civilization-destroying monster.
For humanity , this monster was Godzilla, nature's response to their reckless destruction of Earth 's environment.
The Bilusaludo believed it was better to become that civilization-destroying monster so they can defeat any other monsters, and thus created Mechagodzilla.
The Exif discovered that the universe was finite and embraced a nihilistic ideology, thus bringing Ghidorah into their reality to destroy their planet and all others in the universe.
The second central theme, as Eisenbeis argues, is Haruo's desire for revenge against Godzilla. This desire is what drives Haruo to keep fighting even when victory over Godzilla seems impossible.
Thus, it makes him vulnerable to the Exif's way of thinking; allow Ghidorah to destroy Godzilla and sacrifice the Earth and the rest of mankind in the process.
However, the film shows that Haruo is not willing to give in to the Exif's nihilistic view, and instead accepts the Houtua 's hopeful philosophy.
They live in harmony with their monster, Mothra , and are able to coexist in a world with Godzilla just by living in harmony with nature and avoiding him.
Eisenbeis says that the films of the anime trilogy therefore hinge on Haruo's internal battle and the conflicting ideologies of the various races.
This is where he says the film places its focus, but as a result there is very little monster action, something one would expect from a Godzilla film.
Rather, it is about a battle of philosophies. However, while Haruo's internal battle takes place, Godzilla and Ghidorah do fight it out.
Sadly, it's also the most boring part of the film. He praises Ghidorah's new design which is radically different from past ones but still recognizable as Ghidorah.
Furthermore, Eisenbeis compliments the visual spectacle of the film's climax, showing the internal conflict in Haruo's mind as Metphies attempts to convert him to his way of thinking.
As he says, "where the film really stands out is its climax, which evokes the most taboo moment in Japanese history and uses it to build a beautiful yet haunting image that wordlessly reveals the state of Haruo's tortured soul.
Rather, he says the film's message is that technology will prove to be humanity's downfall, and the only salvation is living in harmony with nature.
If nothing else, you will be left mulling it over as the credits roll, which is probably exactly what the filmmakers intended. He says that "Getting through the first two films may have felt like a chore, but The Planet Eater offers an emotional payoff and makes the trilogy as a whole much better when viewed as the conclusion of a single, ambitious longform story.
While there still is not a great deal of kaiju action in the film, Fujita says that it does thankfully include more screentime for Godzilla in a trilogy consisting primarily of dialogue from the characters.
While he feels disappointed by the trilogy's lack of monster action, Fujita pays notice to the pervasive sense of despair in the film, which he says is an important element in the best Godzilla films.
Fujita goes on to say that the film manages to condense the essence of the franchise to a series of important philosophical questions, such as "What is the point in fighting a creature such as Godzilla, rather than simply accepting it and living alongside it?
What is survival really worth? What is the meaning of civilization, and the damage it can cause? Fujita notices that the trilogy also provides commentary on themes of mind control and conformity.
In the first film, the United Earth military unquestioningly follows Haruo into battle. In the second, the Bilusaludo attempt to create a world of perfect logic where man and machine are one.
And in this film, the Exif brainwash the survivors into their nihilistic religious doctrine, creating a death cult dedicated to Ghidorah.
Fujita argues that the third film could not deliver the payoff of gripping human drama without the events of the previous two, thus justifying the process of watching all three films unfold.
Fujita then shifts focus to the character of Haruo Sakaki, who he found to be a difficult character to relate to in previous films as he was driven by his own reckless desire for vengeance against Godzilla.
Now, Fujita argues, his character seems to have been built that way by design, as the third film manages to deliver a satisfying emotional payoff to the character that makes the unsympathetic character of Haruo seem more like a major highlight of the trilogy than a glaring fault.
Fujita concludes, "This had-to-define, complicated, bitter flavor is the essence of the best Godzilla movies, and The Planet Eater offers this in spades.
While it took awhile to get there, the animated Godzilla trilogy ends with a fascinating chapter that — while unexpected — is worthy of the franchise.
It may have been a long and uneven journey but The Planet Eater ultimately makes it all one worth taking for Godzilla fans.
This is a list of references for Godzilla: The Planet Eater. These citations are used to identify the reliable sources on which this article is based.
These references appear inside articles in the form of superscript numbers, which look like this: [1]. Showing comments. When commenting, please remain respectful of other users, stay on topic, and avoid role-playing and excessive punctuation.
Comments which violate these guidelines may be removed by administrators. Godzilla Master. Ending was kinda anti-climatic.
I mean, they built up Ghidorah as this insurmountable foe, only to have him be defeated by Godzilla because Haruo discovered his weakness.
As if it wasn't bad enough, Haruo then proceeds to commit suicide! This film series did not end on a high note, which really makes you feel like you watched the entire series for nothing.
I was dumbfounded when I watched Haruo die. But I guess his death kinda made sense, in a way. But then again, couldn't he have just, doh I dunno, put the Vulture on auto-pilot or something if it had that function?
I did really like the trilogy, though. It was all an interesting take on a lot of things Godzilla-related. Les: Huh. That's actually a good point.
I mean, I knew why he did it, but it was just a little sad. Especially with Live and Die starting to play.
Perfectly-done thematic appropriateness. Titanus Gojira. Green Blob Thing. Triceradon the 8th. While I'm admittedly in the camp of G-Fans who really doesn't like the Anime trilogy, I must confess that Ghidorah having a whole cult centered around him is a cool idea.
Titan of Water. Astounding Beyond Belief. Now that January 9th has passed and after pre-ordering my S.
I actually did see it. The King of the Monsters. People are continuing to take that interview with Hiroyuki Seshita out of context and insisting he intentionally made the movies different to piss of fans.
That's not what he's saying at all. Seshita is a lifelong Godzilla fan, and he felt it was important to have a non-fan's perspective to try and make the films appeal to a broader audience outside of hardcore fans.
So he told Kobun Shizuno to not watch any other Godzilla movies until the trilogy was finished, that way they would be able to combine the perspective of a fan and an outsider.
Seshita was saying that the fact some traditionalist fans have hated the movies at least proves he did succeed in making the movies different, which was one of his goals.
He doesn't say anything about how that reflects the quality of the films or even whether these people are justified or not, he is simply saying that it shows he achieved one of his goals with the trilogy.
Seshita and Shizuno also make it clear they were careful to not drift too far from what defines Godzilla as a character.
They changed his origin, sure, but kept the basic design and abilities intact and were sure to portray him as a force of nature spawned as a consequence of mankind's recklessness, especially the use of nuclear weapons.
Shizuno, even as someone who had only seen two Godzilla movies, was very careful not to ignore the core features of Godzilla as a character and tried very hard to remain true to it.
The King of the Monsters: Well hello Mr. Alright, fine Astounding. A litteral Mothra egg. Chainsaw Gigan.
Well Astounding I HOPE! No sir, I do not. Godzilla Raids Again. So at one point in the trailer, Haruo is in the Houtua hideout hugging one of the twins.
Oh dear god no!!! Why would you take a flipping Godzilla movie and sprinkle hentai all over it!!? Screenshot for reference:.
Sam The Giganfan. You can clearly see in the silhouette from the theater pamphlet that Ghidorah has a full body with tails and wings.
The poster merely shows Ghidorah's heads coming through wormholes. We haven't seen his full form just yet. If this somehow fails and it doesn't show a battle between the two and they pull a middle finger.
I swear I'm gonna I'm gonna I'm not what is expected anymore. AGT Man. Welcome to Wikizilla! Log in or sign up to edit pages and contribute.
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Godzilla Master 5 months ago. Score 0. Shogunguirus 6 months ago. I don't hate the anime trilogy. I'm fine with it.
But when a story doesn't even try to have a good ending despite its already mediocre plot, it is barely worth it to listen to what it's trying to say.
AngiraBlu 6 months ago. Basically, it's a future where Godzilla does die from the Burning form, bcuz Mothra never finds out about the symbiotic link between Godzillasaurs and Divine Moths, which would've saved him [even though she can perform and energy transfer, but I guess her life force is necessary for keeping the Burning form stable].
Several years after Godzilla's death, all kaiju go haywire and out of nowhere the Earth produces Godzilla Earth [? Les 6 months ago.
Putting the Vulture on autopilot would've been missing the point of the scene. He knew full well ramming a Vulture into Godzilla wasn't going to do shit to him.
That wasn't his motivation. He wanted to die so that he would be freed of the burden of Godzilla and not endanger his family and the rest of humanity by leading them into more suicide missions against him.
Titanus Gojira 11 months ago. Hulk10 13 months ago. Green Blob Thing 14 months ago. I absolutely adore the music in the scene where Godzilla finally gains control over Ghidorah and disposes of him and his portal things.
It really helps elevate it. TBH, I kinda started feeling bad for Ghidorah when he was getting his extradimensional eldritch butt handed to him, for some reason.
Not sure why, though. Is it kinda bad that I felt sympathy for an evil world-eater??? JZilla 16 months ago. The is my least favourite godzilla movie, but it has grit unlike the last movie and has stakes.
Triceradon the 8th 17 months ago. Godzillakid 17 months ago. Here's my review of TPE. I can only say one thing: Magnificent. While it will never be as good as some other movies, it was the best of the trilogy in my opinion.
It is so cool how instead of Ghidorah being a pawn of aliens, the aliens are the pawn of him. Alot of the middle is trippy visions and flashbacks.
But with Haruo committing suicide in order to keep earth safe is interesting and sad. JurassicKaiju14 16 months ago. I was kind of hoping something similar would happen in KOTM, to be honest.
ItsDestoroyah 18 months ago. I wanna order one of the planets Ghidorah ate. Maybe a piece of Jupiter or Venus. Kaiju 20 months ago. Green Blob Thing 20 months ago.
Ghidorah could've been given more to do, but was cool nonetheless. A neat ending to the trilogy. Aggression25 21 months ago. Now I'm just hoping that King of the Monsters will do better than this film, even though the end music was good.
Titan of Water 21 months ago. Could we give some respect to my boy Chris Niosi? The movie might not have been good but you can tell he gave his all in his performance as Haruo.
SuperZillaRealms 21 months ago. Score 4. I saw the film and to be honest I enjoyed it! You see him struggle through out the films making drastic choices to benefit humanity even though some of those choices brought the downfall of other characters.
Not only that each of the monsters represent something, Godzilla represents Earth and its ecosystem, Mechagodzilla represents Human technology and civilization while Ghidorah represents space and religion.
Serizawa Ken Watanabe the reason is because there was no development nor were there complete story arcs. Shin Godzilla is an exception because its a plot driven film instead of a character driven film.
Back to the anime trilogy, the characters had development with completed story arcs and each did have a time to shine in their own respected films.
And I do like the conclusion the trilogy has showing the Haruo grew during these past events annihilating himself with Yuko and the remaining Vulture to rid humanity of their past also to prevent Ghidorah from devouring the planet again.
Overall I give it a 7. SkullIslandExplorer 19 months ago. I think Planet of the Monsters is the best out the Trilogy.
But if you like this installment, more power to you. ItsDestoroyah 22 months ago. So I read about the movie's plot. Not spoiling it. I'm not giving any hints or say what it is.
Astounding Beyond Belief 22 months ago. SkullIslandExplorer 22 months ago. Spinocroc 22 months ago. Score 3. CanI just say how awesome this movie was?!
The plot, the characters, the way Ghidorah was handled, the Mothra cameo, everything was beautifully crafted. Metphies was the best villain I've seen in a while in a Kaiju film, and despite his actions he was still given an honorable farewell.
Couldn't be more happy with the results. There are definitely flaws, but they aren't too distactive from the overall product. Titan of Water 22 months ago.
GojiJunkie 22 months ago. Score I watched the movie, and I know it's become cliche to hate on the anime films, but I honestly hated it.
This movie made me question if someone slipped something funky in my drink during dinner or if I was on laughing gas. It makes Godzilla vs.
Hedorah seem like a totally normal, not strange at all Godzilla film. It has all of this religious and philosophical mumbo-jumbo that doesn't make any sense in the slightest manufactured from cardboard cut-out characters and lackluster action.
I was bored, perplexed, and extremely disappointing. There was so much cringe in this film too, especially that extremely forced sex scene between Haruo and one of those twin girls.
I will never watch a single one of the three anime films again. BTW, they have no respect. In other words, they can piss off!
It seems that people hate quality now a days. Score 2. If there is one positive thing I can say about Planet Eater, is that unlike the other two I actually was able to feel a connection to some of the characters, specifically Haruo and Metphies in their final confrontation.
Oh whatever, those ants were poorly written. BTW, Harou acts like a toddler. Oh there are definitely still problems with them and the movie, but I just feel like I should give credit where credit is due.
Sure, if you like it, whatever. All I saw was Treebeard fight Parallax. Holy mother of god, the salt is really expensive here. The King of the Monsters 22 months ago.
Score 6. I don't care if someone likes or dislikes these movies; my point is that it's ridiculous how so many fans are throwing tantrums over a line from an interview that has been misinterpreted and taken out of context.
This trilogy was never about changing things for the sake of being different or intentionally pissing off fans, it was about telling a different story that could reach audiences who were unfamiliar with Godzilla, and Seshita feels that some of the negative reactions the films have received at least show he managed to make it different.
SkullIsland 21 months ago. I think most of the anger over the traditionalists thing comes from Omni viewer.
He's the one that I think pretty much kicked off most of the hate towards the interview. SkullIslandExplorer 21 months ago. My tech is acting up.
Astounding Beyond Belief 21 months ago. Maybe stop screaming at everyone who expresses a contrary opinion if you want to continue posting here.
Watched the movie. Better than the other two, but only just okay. Unlike the last two, there were actually some genuinely emotional moments, though there is still just as much technobabble in between.
What elevates this movie over the other two for me is actually some good character development.
I do have a question though. What was this film trying to say. The only two I can think of is that the writers are either reeling us.
A litteral Mothra egg 22 months ago. I think it maybe more about letting the past be the past and not contribute to an endless cycle of misery and nihilism.
ShodaiMeesmothLarva 22 months ago. SkullIsland 22 months ago. Only of her outline, and it's obscured by cast bios.
It would be easier just to take a screenshot directly from the film. January 9th, huh? That same day is when you can pre-order two of S. Gojira 23 months ago.
Chainsaw Gigan 23 months ago. SkullIslandExplorer 23 months ago. NOTE: I know that last part above is a possible mistranslation, but you never know.
Astounding Beyond Belief 23 months ago. I mean Do you just lurk around the comments section? It doesn't require a tremendous amount of effort.
Much like watching more than one of these movies, which seems a prerequisite to gathering evidence on why they're bad.
Toolen 22 months ago. I heard about that interview. I disagree, though. Neither Shizuno nor Seshita have outright dismissed all the criticisms as invalid, nor have they insulted those criticizing the film.
He just said that he knew their work would be criticized. Ignoring whatever that was I think these films have suffered from being, well, films.
The Godzilla anime was originally planned as a TV show, but Toho wanted them in theaters because Shin Godzilla did so well. I hope! That's fine for a story presented in weekly installments or all at once, but telling it in three chunks over the course of a year leaves the first two feeling incomplete.
So we end up talking more about how Mechagodzilla is different than why he looks different. Oh, sorry, my normal speaking voice can be a little quiet Happy New Year!
Goldn 22 months ago. Astounding Beyond Belief: Yeah, I guess so. Goldn: XD. Your comment made me die! Not for me, but we can't add the plot from another website.
Just wait for January 9 seeing it's close to the end of the year. Titan of Water 24 months ago. From the trailers it looks like Haruo will get knocked out during the battle and have a trippy vision or something.
Chainsaw Gigan 24 months ago. Movie come to Japan tomorrow. Sorry, I forgot to mention it might take Days before he posts anything.
ShodaiMeesmothLarva 24 months ago. Let me guess, the kaiju scenes are only three minutes while the battle lasts only 60 seconds.
It's January 9, to be exact, two months after the Japanese release. Also, Ghidorah's page under Origins section says , years ago while this page says it's 10, It is causing confusion for some users?
It is 10K or K years ago? I hope posts can be edited like in Wikia, but I actually mean "It may be causing confusion for some users".
The King of the Monsters 24 months ago. Again, the Netflix release date hasn't been announced yet. It will probably be January 9 based on past trends, but it hasn't been confirmed and is only listed as "early ShodaiMeesmothLarva 23 months ago.
We don't treat predictions as facts. Why you can't understand that is beyond me. Les 24 months ago. I think a better place for this kind of conversation would be on one of your talk pages.
Godzilla Raids Again 25 months ago. Sorry for the rage. Les 25 months ago. I really doubt it has anything to do with sex.
Potential spoiler warning for anyone passing by , in the trailer and in some released screenshots you can see in multiple instances that Metphies does something with Miana.
You can see blood on his hands in some shots and there's even a split second in the trailer where Miana looks to be crucified on a stake in the background.
Haruo could be hugging her because she's injured or even dead. Upon closer inspection of that specific shot, it almost looks as if there is a pool of blood on the ground surrounding the rug they are laying on.
Then how does that explain her not wearing anything. And how can you tell Miana and Maina apart? They look exactly the same.
If she was crucified, then it's likely that she was stripped of her clothing. Maina typically has a more stern look.
It seems like, from the images, Maina is with Martin tending to the Mothra egg and the one with Metphies is Miana. But, regardless of which one it is, one of the twins' bodies can definitely be seen dangling in the background of one of the shots and it only seems sensible that it'd be the same one of the two we see laying on the ground in a pool of blood.
MosuFan 25 months ago. Gojira 25 months ago. Lachlanowers 24 months ago. Godzilla Raids Again 24 months ago.
Godzilla Raids Again 22 months ago. I was right from the beginning. Somebody please shoot me. Screenshot for reference: Perhaps he really doesn't have legs.
But at least we still know he HAS a body, with wings and tails. Ghidorah then proceeds to attack Godzilla, who is helpless against the intangible monster as its heads bite Godzilla and drain his energy.
Martin concludes that Ghidorah's true form exists in another plane of existence and is being guided by someone in their universe, Haruo finding it to be Metphies who had replaced his right eye with the amulet he repaired with the nanometal.
Metphies proceeds to reveal that his people devoted themselves to Ghidorah since learning the absolute truth that their universe is finite and fated to destruction, having worked to offer the monster planets to feed on.
Proceeding to telepathically assault Haruo, Metphies explains that the human's hatred towards Godzilla made him an ideal offering and tells Haruo that he must submit himself to Ghidorah as its witness to enable its full manifestation.
Maina and Dr. Martin use the Houtuan god 's egg to psychically reach Haruo and reveal how to stop Ghidorah, Haruo learning that Metphies orchestrated the deaths of the Tau Ceti e exploration party so they could be "saved".
At the same time, Haruo recalls the charm he lost the day he fled from Earth as a boy. Its image of flowers reminds him of the meaning of his name, "Spring", and the power of hope to overcome despair.
Haruo then breaks free and cracks Metphies' amulet, causing Ghidorah to become affected by Earth's physics and be ultimately defeated by Godzilla.
Metphies dies telling Haruo that Ghidorah will always be watching him as long as he lives. Time passes as survivors bury their weapons and integrate into Houtua society, with Maina pregnant with Haruo's child.
Martin tells Haruo that he got the last remaining Vulture mech working, having discovered how to use Mechagodzilla's nanometal in Yuko's body as a tool to rebuild civilization as it was.
Haruo's right eye stings, hearing Metphies's voice that this turn of events would ensure Ghidorah's eventual return to their reality. Taking Yuko with him, telling Maina that there are times when people face a day where they choose to fight a losing battle, Haruo provokes Godzilla into destroying him and all traces of the living nanometal for the good of the Houtua.
In a post-credits scene, Maina, showing signs of advancing age, watches a group of children conduct a ritual honoring Haruo, placing knotted strings representing their fears into a fire under a wooden effigy of a Vulture mech.
The English dubbed version was produced by Post Haste Digital. Takayuki Hattori returned to compose the soundtrack, marking it his fifth Godzilla film score.
XAI also returned to perform the film's theme song Live and Die. In May , a teaser poster revealed the film's title, release date, and potential appearance of King Ghidorah.
Joshua Meyer from SlashFilm stated "Rather than revert to a big dumb monster movie, The Planet Eater is able to balance its kaiju action with life-and-death concerns while wrapping up threads of character drama woven through the trilogy as a whole.
The movie plays with rich themes that might leave you thinking or scratching your head as you wait for the post-credits scene.
Fujita felt that getting through Part 1 and Part 2 was a "chore" but felt that Part 3 gave a "strong, more emotional payoff", stating, "While it took awhile to get there, the animated Godzilla trilogy ends with a fascinating chapter that — while unexpected — is worthy of the franchise.
Daniel Kurland from Den of Geek awarded the film 3 stars out of 5, feeling the animation was "lackluster" with "Regrettable" CG effects and Hattori's score was "questionable.
He also praised the film's themes of nihilism, hope, and harmony with nature but also calling them "polarizing", stating, "It's a rather extreme message, but this is far from the first pro-environmental Godzilla film.
If nothing else, you will be left mulling it over as the credits roll, which is probably exactly what the filmmakers intended. Kai Hellberg from The Daily Free Press criticized the English dub, calling it "embellished" and particularly criticized the melodramatic delivery of Haruo.
He also felt the music was "out of place" and concluded by stating, "was not an outright failure. There are certainly captivating scenes and gorgeous animation.
But its primary fault is trying to be babied by the legacy of Godzilla, while under the guise of being a modern take on the franchise.
Instead it finds a way to make everything worse and leave a completely bitter taste after the movie comes to an end. He concluded by stating the film "wastes any potential for saving the series and is an incredibly disappointing film overall.
The sensation of watching this film is reminiscent of watching the disappointment from the Godzilla film Sony made in From Wikipedia, the free encyclopedia.
Theatrical release poster. Polygon Pictures Toho Animation. Release date. Running time. SciFi Japan. Retrieved October 12, Box Office Mojo.
Retrieved October 3, Retrieved December 28, Archived from the original on October 12, Culture Trip. Retrieved January 1, Dread Central.
Retrieved May 18, Anime Mojo. Retrieved August 1, Retrieved September 13, Coming Soon. Retrieved December 12, Retrieved November 5, Retrieved January 11, Syfy Wire.
Den of Geek.
Godzilla: The Planet Eater. J (Gojira: hoshi wo kû mono). Jetzt ansehen. Anime/Action/Fantasy (91 Min.) Da die Erdallianz geschwächt wurde, zieht Haruo. In Godzilla: The Planet Eater (GODZILLA 星を喰う者 Gojira: Hoshi o Kuu Mono) muss sich Godzilla diesmal nämlich seinem ewigen Erzfeind.Godzilla Planet Eater Navigation menu Video
Haruo’s Sacrifice Explained - Godzilla: The Planet EaterGodzilla Planet Eater - Das könnte dich auch interessieren
Es ist sogar schlimmer geworden. Godzilla: Domination! Diese Website verwendet Cookies. Megaguirus But Hartz 4 2019 out of some of these cookies may affect your browsing experience. Godzilla: Save the Earth Van Helsing 2004 wäre es nicht schon schlimm genug, dass der goldene, dreiköpfige Drache nur Winnetou Im Tal Der Toten zu sehen ist, hat man hier das Gefühl, auf ein reines Plakat zu starren. Bewertung unserer Besucher:. Netflix [einklappen]. Games Musikvideos. DVD-Start: Zensurjahr Filme Zensurjahr Filme Godzilla: The Planet Eater Ich persönlich fand den Film gut, troz dass soviele an ihm herumgemackert haben. We also use third-party cookies that help us analyze and understand how you use this website. Und doch sind diese enttäuschenden, so gar nicht epischen Kämpfe noch der interessante Teil des Netflix -Animes. Bloodshot Finden Pressevorführungen erst knapp vor dem Kinostarttermin statt - und sind Nach Dem Urteil Film dann auch noch mit einer Sperrfrist belegt, dieHaruo becomes furious and pins Adam to the wall, but eventually releases his grip and falls onto his knees next to Yuko, continuing to grieve over her.
Adam and the others with him continue to insist that Haruo was protected by God, and his survival was nothing short of a miracle. Later, Metphies attempts to enter the Houtua's temple, but Miana stops him, saying it is the place of the Houtua's God and that he needs permission to enter.
Metphies apologizes and says he must have been lost, then leaves. It soon becomes clear that Metphies is attracting a devoted religious following, as a congregation is held in the village where soldiers insist they were spared from the Nanometal through their devotion to God.
Martin pulls Haruo aside and reminds him how many soldiers experienced poor physical health when inside Mechagodzilla City, Haruo included.
He says that all of these soldiers had been treated medically by the Houtua, and he believes the scales they secrete from their skin must react negatively with Nanometal.
This is why Haruo was spared from the Nanometal infection while Yuko was not, as Miana had healed him with these scales. As Metphies passes by followed by several devotees, Haruo asks to speak with him privately.
The two enter a room where Haruo explains to Metphies the truth about why he resisted the Nanometal infection. To Haruo's shock, Metphies replies that he figured as much.
Haruo asks Metphies if he has been deliberately lying to mislead the others into believing God had intervened. Metphies replies that it is necessary to finally summon God so that He can destroy Godzilla.
He says that sufficiently advanced science and magic are one and the same, as human scholars have argued in the past. Humans regard magic and religion as occult, as they have not reached the Exif 's level of understanding.
Humans can only accept the existence of God if they are following another human who has; a hero. Metphies says Haruo is this hero, but Haruo is disgusted by Metphies' deception and storms off.
Back on the Aratrum , Mori and Hamamoto discuss on the bridge what to do with Haruo. Suddenly, alarms are sounded on the ship and they are contacted by Dolu-do.
He informs them that he and the other Bilusaludo on the ship have seized control of the engine room and have shut down all power to the ship.
He says they will not restore power until Captain Sakaki is dealt with. The Aratrum is able to operate on auxiliary power, but Hamamoto reminds Mori that the ship can only support life for a few days unless power is restored.
When Martin learns of the events transpiring on the ship, he tells Haruo that their best option for resolving the crisis is for him to disappear.
It is unsafe for Haruo to remain in the village due to the fervor of Metphies' cult, who have been convinced by Metphies that Haruo is chosen by God.
He also can't return to the Aratrum since the Bilusaludo are calling for his head. If no one can locate Haruo, he says, Mori and Hamamoto may be able to reason with Dolu-do and restore power to the ship without needing to arrest Haruo.
While Haruo is hesitant to sit idly by, Martin insists that the correct thing to do in this situation is nothing. He tells Haruo that Miana will be watching over him, and she happily repeats Martin's instructions in broken speech, indicating she understands.
That night, while inside Miana's hut, she notices that Haruo is acting very sad and withdrawn. He explains his regrets for not being able to defeat Godzilla, even when the chance was right in front of him.
Miana tries to comfort him by saying he did not lose, because in the Houtua's culture simply living is to win. Because Haruo survived, he has won.
To Haruo's surprise, Miana begins removing her clothes and embraces him, claiming that she wants to "connect life" with him.
She tries to remove Haruo's suit, but cannot figure out how. Haruo politely rejects her advances, saying that she doesn't need to do that and asking her to just let him sleep.
Miana understands, and leaves him be. Meanwhile, Metphies stands before a makeshift altar to God inside the Houtua village. Using his Garbetrium, he begins telepathically conversing with Endurph aboard the Aratrum.
As Miana exits the hut, she overhears the telepathic communication. Things have become dire aboard the Aratrum as unrest and panic spread.
In the chaos, Endurph has attracted a similar following devoted to bringing forth God to kill Godzilla. Endurph reports his success to Metphies and acknowledges that their plan is proceeding at last, although he does not understand Metphies' fixation with Haruo.
Metphies says that Haruo is special, and his cooperation is needed to ensure humanity offers itself to God. As he lays on the ground in Miana's hut, Haruo sees Miana leaning over him and again trying to remove his suit.
He remembers that his suit was removed when he first awoke in Miana's hut after she had saved him, and as such she should have known how to remove his suit earlier.
He finally deduces that she is not Miana but rather Maina pretending to be her. After successfully removing Haruo's suit, Maina again disrobes and embraces Haruo.
She says that she is scared and worried that Haruo looks so sad, and wants to connect life so she can make him "win.
As his conversation with Endurph ends, Metphies detects Miana watching him in the room. He tells her to show herself, and she confronts him.
She says that Metphies was always silent around the Houtua, and they were never able to read his mind like they did the humans and Bilusaludo.
She asks why he was hiding his telepathy, and Metphies replies that it was necessary to guide the lost to salvation.
She asks where Metphies is guiding humanity, but he threatens her by saying that if he were to tell her he would need to sacrifice her.
As Miana understands his threat and tries to flee, Metphies grabs her by the arm and restrains her. He whispers to her to get on her knees and pray for the "Golden Death.
Haruo enters the room with Metphies' altar to God and sees him standing over a pot. Metphies says that Haruo has arrived in time for the banquet, and instructs Haruo to drink from a bowl that he fills with liquid from the pot.
Haruo obliges and begins to approach the pot. To his horror he sees Miana floating inside it, then promptly awakens next to Maina, realizing it was a dream.
He looks next to him and notices that Maina is paralyzed with fear. She says that she heard her sister say the name " Ghidorah.
He says that the soup which was once in the pot is now inside each of them, and likewise they will all become part of something greater when God arrives.
Metphies delivers a sermon while Endurph delivers a similar one to his followers aboard the Aratrum. They both ask their followers if they are willing to accept their destiny and sacrifice themselves to God so he may destroy Godzilla, and they all enthusiastically reply that they are.
Metphies says then that the time has come to call forth God and reveal His sacred name. Metphies places a crystal onto his Garbetrium and speaks God's name: Ghidorah.
The Garbetrium glows bright yellow as his followers feverishly chant Ghidorah's name and call upon the "Wings of Death" to destroy Godzilla.
Metphies instructs his followers to close their eyes as they continue to chant. Three shadows emerge from the Garbetrium and begin to creep across the floor.
As they pass the shadows of the cultists they bite down on them, which dismembers their actual bodies. Adam opens his eyes and sees his fellow congregation members being torn apart and collapsing to the ground dead one by one.
He realizes his situation too late as he sees the winged silhouette of Ghidorah approaching him, and can only scream as he too becomes the monster's victim.
The cultists aboard the Aratrum continue chanting as a singularity suddenly opens in the space right next to the ship. The ship's crew try to understand the phenomenon as a golden dragon-like head atop a spiky serpentine neck emerges from the singularity.
The creature begins circling around the Aratrum , trapping it in a strong gravitational field and causing havoc with its systems. As it coils around the ship, the monster begins emitting lightning strikes from its neck that strike and damage it.
Passengers aboard the Aratrum begin to flee in terror as the ship collapses from the inside and many are crushed by falling debris.
Endurph stares euphorically as he sees Ghidorah's head approaching the ship, and begins cackling maniacally as he is killed in an explosion.
Dolu-do contacts the bridge from the engine room and tries to restart the ship's engine, but is subsequently killed as the engine explodes.
The Controller on the bridge informs Mori and Hamamoto that the engine room was destroyed 40 seconds ago even though they just received Dolu-do's transmission.
She then reports that all life signs on the bridge had ceased; it's as if they are already dead. Mori and Hamamoto stare in disbelief and terror as Ghidorah's head lunges directly at them.
They can only scream before Ghidorah's gravity crushes the ship and it completely explodes, killing all aboard. On the planet's surface, Martin loses contact with the Aratrum.
He and Josh look into the sky and see that it has suddenly turned black as cumulonimbus clouds begin to form.
Huge bolts of lightning strike the ground while three swirling vortexes appear in the sky. They retreat to the Houtua's watchtower and are joined by Haruo and Maina.
Black portals open inside the vortexes in the sky. Martin and Josh can find no explanation for the phenomena, as their computer is only registering a growing gravitational field.
The computer detects faint life signs on a nearby hill, and Haruo determines that Metphies must be behind this.
He then leaves to confront Metphies. The bizarre weather draws the attention of Godzilla, who awakens and begins to approach the portals in the sky.
As Godzilla draws near, Ghidorah's head slithers down from one of the portals and approaches the ground. Godzilla begins coursing with electromagnetic energy and fires his atomic breath at Ghidorah.
Inexplicably, the beam seems to curve harmlessly around Ghidorah's head. Godzilla charges and fires the beam again; this time it is reflected directly at the ground.
Martin wonders if Ghidorah had somehow distorted the beam with gravity waves or bent space-time around it.
Josh says that the computer shows no sign of Godzilla's beam being reflected, and indicates that it fired in a straight line. In fact, he reports, the computer cannot detect Ghidorah at all, only the gravity wells in the sky.
Only their eyes and ears could perceive Ghidorah. Ghidorah lunges at Godzilla, who swipes at him with his hand. Godzilla's hand phases harmlessly through Ghidorah, who circles behind Godzilla and bites down on his shoulder.
Godzilla roars out in pain and tries to grab Ghidorah's neck, but his hand again completely phases through it. Josh says the computer shows Godzilla's electromagnetic energy dropping, which Martin says is impossible since Godzilla was only bitten and his shield should protect him.
Godzilla swipes at Ghidorah with his tail, which also harmlessly passes through him. Josh detects further gravitational disturbances as two more heads emerge from the other portals and attack Godzilla, one biting his other shoulder and the other biting his leg.
Haruo passes through the Houtua village and heads to the hill. As he approaches he sees Ghidorah locked in battle with Godzilla.
When he finally reaches the top of the hill, he finds Metphies watching the battle and Miana tied to a wooden structure.
Metphies tells Haruo that Miana is alive, and Haruo demands to know what Metphies has done. Metphies replies that he is finally fulfilling his divine purpose.
He has brought forth the Golden Demise: King Ghidorah. Haruo recognizes Ghidorah as the being which Metphies said destroyed the Exif homeworld.
Metphies explains that the purpose of life is to be an offering to Ghidorah. Planets are the seeds of civilization, and Godzilla is the fruit of civilization.
Ghidorah is that which harvests that fruit. There is no greater blessing than to meet one's end at the hands of Ghidorah, Metphies says.
He turns to face Haruo, showing that he has replaced one of his eyes with the Garbetrium crystal. As he stares into the glowing crystal, Haruo tries to reach Metphies only to collapse to the ground.
He finds himself inside a telepathic vision, inside which Metphies speaks to him. Metphies explains that long ago, the Exif scientifically advanced to the point they made contact with a higher-dimensional lifeform.
They learned that existence was finite and meaningless, and that the only path to eternity was to offer themselves to Ghidorah, something from beyond this existence.
Meanwhile, Godzilla continues unsuccessfully to struggle with Ghidorah, his attempts to grab the creature's necks resulting in his hand phasing through them.
Martin and Josh, observing the battle, determine that despite Godzilla's shield being activated, he is still taking damage from Ghidorah's assault.
Godzilla begins converting the electromagnetic energy in his body into heat, as he had done in his battle with Mechagodzilla City.
Godzilla's skin begins to crack and glow scarlet, as the area around him becomes superheated. Still, Ghidorah appears completely unaffected by the heat.
He continues biting down on Godzilla, and gradually the scarlet glow begins to disappear from his body. Martin and Josh determine that Ghidorah is absorbing the heat as fast as Godzilla can produce it.
As a result, Godzilla's body begins to cool as the surrounding heat vanishes without producing any steam. Martin finally determines that Ghidorah isn't from this dimension, and as such its physical laws don't apply to him.
Josh asks if this means Ghidorah can kill Godzilla, but Martin says it means he can destroy the entire planet. Ghidorah begins to lift Godzilla into the air effortlessly, despite his incredible size.
Martin says that since Ghidorah is from another universe, Godzilla is totally powerless against him.
From Godzilla's perspective, Ghidorah is essentially an illusion, but for Ghidorah Godzilla is physically present and can be attacked.
Martin realizes that the only way for an extradimensional creature like Ghidorah to operate in this dimension is if someone is guiding it, and that someone must be Metphies.
Martin declares that he has to go warn Haruo, but Maina insists on coming to save Haruo too, saying that he is already fighting with Ghidorah as well.
As Ghidorah lifts Godzilla further into the air, Josh notices that Godzilla's measurements are becoming impossible to detect as well, as if Ghidorah is eroding reality.
Within Haruo's vision, Metphies subjects him to events from his past such as the death of his parents and his harsh life aboard the Aratrum.
He tries to convince Haruo that the only way to have meaning in his life and achieve his goal of destroying Godzilla is to accept Ghidorah, to convince the rest of mankind that Ghidorah is the only path to salvation.
He asks Haruo if he is going to let all those who gave their lives against Godzilla die in vain. A procession of soldiers who died in the fight against Godzilla begins walking past.
Next, a gruesomely charred Eliott Leland emerges from the burning wreckage and asks Haruo why he won't do what is necessary.
The Nanometal-infected Yuko appears next to him, accusing Haruo of letting her die so that he can live with Miana and Maina instead.
Next, Haruo finds himself inside a study, with a chalkboard containing various mathematical formulas. He is transported inside a Boeing B Superfortress flying above a Japanese city , and witnesses an atomic bomb being dropped onto it.
Metphies, seated next to him in the cockpit, explains how humanity's scientific advancement led to the development of such terrible weapons and consequently the emergence of Godzilla himself, the instrument of human extinction.
In the real world, Maina brings Martin into the Houtua temple and into the passage containing the Egg left behind by the Houtua's God. They place their hands onto the Egg, as Maina beseeches it to bring their message to Haruo.
Hearing Maina's plea, the Egg enters Haruo's vision in the form of the adult Mothra. Mothra flies over the B and tears Haruo free from the cockpit.
As he falls from the sky, Haruo hears Maina and Martin contacting him. Martin explains that Metphies must be guiding Ghidorah in this dimension somehow, and Haruo realizes that Metphies is doing so through the Garbetrium crystal in his eye.
Ghidorah appears in the vision and engulfs Haruo, who next finds himself reliving the destruction of Mechagodzilla City from inside the Vulture.
He asks Metphies why he is showing him this, and is transported aboard the Aratrum. He witnesses Metphies handing an elderly passenger a bomb before he boards the Landing Ship bound for Tau-e.
Haruo realizes that it was Metphies who orchestrated the destruction of the ship all along. Daichi Tani and the other elderly passengers then appear before Haruo.
Daichi explains that they wanted to die, as it was a form of mercy, and asked Haruo to understand. Metphies continues subjecting Haruo to more visions.
Haruo finds himself as a child standing next to Metphies on the Aratrum launch pad once again, witnessing Godzilla appear over the horizon, but this time the shadows of Ghidorah's heads stretch across the ground.
Haruo frees his arm from Metphies' grasp and walks backwards to pick up the flower locket his parents had given him. This triggers a flashback of Haruo's parents watching him inside his crib as a baby.
They discuss his name, Haruo, which comes from the Japanese word for "spring. Haruo is whisked back aboard the Aratrum where Daichi pleads with him again to give in.
Haruo musters the strength to reject Daichi and grab him forcefully by the head. This snaps Haruo out of the vision, and he finds himself now holding Metphies by his head.
Haruo firmly rejects Metphies' ideology, saying he will not let Ghidorah destroy everything just so he can defeat Godzilla.
He presses onto the Garbetrium crystal with his thumb, shattering it. With the crystal destroyed, Ghidorah loses his connection to Metphies and becomes bound by this dimension's physics.
He shrieks and releases Godzilla, who finds that he can now make physical contact with his enemy. As he falls back to the ground, Godzilla courses with electromagnetic energy and swings his tail to fire a plasma cutter which produces a cloud of smoke and debris that extends all the way to the hill where Haruo is.
Ghidorah tries to bite down on Godzilla again, but he swings his tail at one of Ghidorah's necks, knocking it to the ground. The head cries out before dissipating into golden particles.
Godzilla grabs another head and tears off its lower jaw, causing it to vanish as well. Ghidorah's last remaining head releases Godzilla and tries to retreat back into its portal, but Godzilla fires his atomic breath directly into its mouth.
The beam penetrates through Ghidorah's head and destroys it, then strikes the black portal from which it emerged. The portal explodes, and Godzilla promptly charges and fires his atomic breath at the next one.
Godzilla finally destroys the last portal, and the swirling vortexes disappear as the sky becomes clear again.
On the hill, Haruo regains consciousness and finds Metphies laying against a rock. He approaches Metphies, who places his hands on him and declares that for as long as Haruo lives, Ghidorah will be watching him.
Metphies then lowers his hands and dies. Despite what he had done, Haruo still grieves for the person he long considered his closest friend.
He cradles Metphies' body in his arms and sobs. Months later, and the surviving humans have integrated with Houtua society.
They laid down their weapons and abandoned their armors, adopting the culture and clothing of the Houtua and living alongside them.
Maina is pregnant with Haruo's child, and Haruo at last seems to have found some measure of peace and happiness with his new family. Miana brings Haruo outside to show him a field of blooming flowers.
Haruo remarks that even though he was named after spring, this was the first time he truly saw it. Martin sees Haruo and calls him over to show him something.
He explains that he finally figured out how to reactivate the last surviving Vulture from Mechagodzilla City using Nanometal he harvested from Yuko's body.
With the self-replicating ability of Nanometal, he explains, they will be able to completely rebuild human civilization and abandon the Houtua's primitive lifestyle.
Haruo experiences a sudden vision and hears Metphies' voice explain that the cycle of destruction will continue and that time is on his and Ghidorah's side.
Haruo returns to the village and sits next to Miana and Maina. Miana notices that he seems distressed, but he declares he is fine and leaves.
Miana follows him and finds him picking up Yuko's body. She asks what he is doing, but he asks her if she thinks Godzilla is scary. She says that Godzilla is scary, so Haruo says she must hate him.
Miana replies that the Houtua do not have a word for "hate," and while Godzilla is scary storms and natural disasters are scary as well.
The Houtua do not hate Godzilla any more than they hate tornadoes or earthquakes. She tells Haruo that she doesn't understand what he is saying, and he responds that if he stayed that she might understand him, which is what he is afraid of.
That is why he must leave, he says. He picks up Yuko's body and leaves the village, then brings her into the last Vulture. He activates it and begins flying toward Godzilla, who is standing dormant in the open.
As the Vulture approaches, Godzilla awakens and begins charging his electromagnetic energy. Haruo yells at Godzilla that he is the last remnant of humanity's past, and represents all the lives and dreams Godzilla destroyed.
He asks Godzilla to completely burn away the hatred of the past and this time leave nothing behind. Haruo becomes silent and accepts his fate peacefully as Godzilla obliges and fires his atomic breath at the Vulture, which crashes and explodes.
Many years later, a ritual is held in the Houtua temple. A group of children, descendants of humans interbreeding with the Houtua, offer up cords they made representing negative emotions and ask to be protected from things that scare them.
A priestess burns these cords along with a wooden effigy of the Vulture, asking their "vengeful god" to keep them safe. Seated off to the side, a now elderly Maina proudly looks on.
The front of the pamphlet depicts three intertwined glowing dragon-like necks and heads, clearly representing Ghidorah. The back of the pamphlet features an Exif symbol glowing like the dragon heads on the front, along with a tagline that roughly translates to "Bow down and worship the golden demise.
The official website stated that the film would be the "final chapter" of the saga and would reveal the meaning of the name "Ghidorah" spoken by Metphies.
It also promised that the film would finally feature a monster showdown. A new screenshot of protagonist Haruo Sakaki from the film was also released, along with a brief description of the story, stating that the film would feature Godzilla Earth facing off against Ghidorah.
The official website for the film was updated, providing both Japanese and English story descriptions for the film as well as updated cast and staff lists.
It was also announced that singer XAI would be returning to perform the theme song for the film, " live and die. On September 20, Toho released 13 new screenshots from the film, most of which were previously included in a short brochure for the film distributed in Toho's cinemas.
It also revealed some more details on Ghidorah, explaining that he has destroyed thousands of planets since destroying the Exif home planet of Exifcalus , years ago, and is worshiped by the Exif as the "Golden King.
On October 19, it was announced that a red carpet event for the film would be held at the Roppongi Hills Arena on October 25, the first day of the Tokyo International Film Festival.
In an article published on October 30, The Washington Times reported that film directors Hiroyuki Seshita and Kobun Shizuno acknowledge that their film is so different it might disappoint some hardcore fans, but also say that is an intentional attempt to reach out to new audiences.
Seshita states that he and Shizuno "welcome getting bashed by traditionalists," arguing that it proves more than anything they succeeded in creating something different.
The two directors then state that rather than simply transferring the well-known tale into a computer animation, they have focused on what they call Shakespearean "human drama" and tackle complex issues, including the meaning of religion, in a futuristic post-apocalyptic universe.
Shizuno admits that he is not a Godzilla "expert," so he simply made a film he thought would be enjoyable. View all posters for the film here.
Meyer gives the film a positive review, and he argues that it "vindicates the trilogy in a way that manages to stay true to it while also being true to the franchise and what fans have come to expect when they sit down for a Godzilla movie.
Meyer is complementary of the character of Metphies , expressing his belief that the character's ambiguous intentions at the start of the film provide a fair deal of intrigue.
Meyer goes on to say that there are many "wacky scenes and wacky lines of dialogue" in the film, but that they are "my kind of crazy.
Here, according to Meyer, scenes of monster action seem to come earlier in the movie, and despite a lack of cities to be destroyed, the sequences of Ghidorah approaching the Aratrum and Godzilla's confrontation with Ghidorah in an open expanse are highlights that make the movie feel like a Toho Godzilla film.
Meyer believes that this film manages to provide a strong and satisfying conclusion to the trilogy: "When the cultists beseech Ghidorah, 'Bring us a glorious finish,' it seems those prayers have been answered for the trilogy itself.
He also says he feels that the framing for the monsters' battle is more impressive than the battle itself.
Meyer raises the possibility that the theatrical presentation of the film may have helped it, and that he is unsure if it would leave the same impression for a viewer watching it on Netflix.
Despite all the flaws, Meyer suggests that GODZILLA: The Planet Eater has many positive aspects and memorable moments that both make it stand apart from the previous films and retroactively improve the perception of those films.
Meyer summarizes his thoughts with "Rather than revert to a big dumb monster movie, The Planet Eater is able to balance its kaiju action with life-and-death concerns while wrapping up threads of character drama woven through the trilogy as a whole The movie plays with rich themes that might leave you thinking or scratching your head as you wait for the post-credits scene.
However, he goes on to say that "the more I thought about the movie, the more I felt I understood the spirit of it and what it was trying to say about human nature through the lens of Japanese filmmaking.
He noted that the film was a grim and full of psychologically complex themes as one would expect from the work of Gen Urobuchi. He highlights the film's central themes, the first of which being the idea that civilizations are destined to advance to the point they create a civilization-destroying monster.
For humanity , this monster was Godzilla, nature's response to their reckless destruction of Earth 's environment.
The Bilusaludo believed it was better to become that civilization-destroying monster so they can defeat any other monsters, and thus created Mechagodzilla.
The Exif discovered that the universe was finite and embraced a nihilistic ideology, thus bringing Ghidorah into their reality to destroy their planet and all others in the universe.
The second central theme, as Eisenbeis argues, is Haruo's desire for revenge against Godzilla. This desire is what drives Haruo to keep fighting even when victory over Godzilla seems impossible.
Thus, it makes him vulnerable to the Exif's way of thinking; allow Ghidorah to destroy Godzilla and sacrifice the Earth and the rest of mankind in the process.
However, the film shows that Haruo is not willing to give in to the Exif's nihilistic view, and instead accepts the Houtua 's hopeful philosophy.
They live in harmony with their monster, Mothra , and are able to coexist in a world with Godzilla just by living in harmony with nature and avoiding him.
Eisenbeis says that the films of the anime trilogy therefore hinge on Haruo's internal battle and the conflicting ideologies of the various races.
This is where he says the film places its focus, but as a result there is very little monster action, something one would expect from a Godzilla film.
Rather, it is about a battle of philosophies. However, while Haruo's internal battle takes place, Godzilla and Ghidorah do fight it out.
Sadly, it's also the most boring part of the film. He praises Ghidorah's new design which is radically different from past ones but still recognizable as Ghidorah.
Furthermore, Eisenbeis compliments the visual spectacle of the film's climax, showing the internal conflict in Haruo's mind as Metphies attempts to convert him to his way of thinking.
As he says, "where the film really stands out is its climax, which evokes the most taboo moment in Japanese history and uses it to build a beautiful yet haunting image that wordlessly reveals the state of Haruo's tortured soul.
Rather, he says the film's message is that technology will prove to be humanity's downfall, and the only salvation is living in harmony with nature.
If nothing else, you will be left mulling it over as the credits roll, which is probably exactly what the filmmakers intended. He says that "Getting through the first two films may have felt like a chore, but The Planet Eater offers an emotional payoff and makes the trilogy as a whole much better when viewed as the conclusion of a single, ambitious longform story.
While there still is not a great deal of kaiju action in the film, Fujita says that it does thankfully include more screentime for Godzilla in a trilogy consisting primarily of dialogue from the characters.
While he feels disappointed by the trilogy's lack of monster action, Fujita pays notice to the pervasive sense of despair in the film, which he says is an important element in the best Godzilla films.
Fujita goes on to say that the film manages to condense the essence of the franchise to a series of important philosophical questions, such as "What is the point in fighting a creature such as Godzilla, rather than simply accepting it and living alongside it?
What is survival really worth? What is the meaning of civilization, and the damage it can cause? Fujita notices that the trilogy also provides commentary on themes of mind control and conformity.
In the first film, the United Earth military unquestioningly follows Haruo into battle. In the second, the Bilusaludo attempt to create a world of perfect logic where man and machine are one.
And in this film, the Exif brainwash the survivors into their nihilistic religious doctrine, creating a death cult dedicated to Ghidorah.
Fujita argues that the third film could not deliver the payoff of gripping human drama without the events of the previous two, thus justifying the process of watching all three films unfold.
Fujita then shifts focus to the character of Haruo Sakaki, who he found to be a difficult character to relate to in previous films as he was driven by his own reckless desire for vengeance against Godzilla.
Now, Fujita argues, his character seems to have been built that way by design, as the third film manages to deliver a satisfying emotional payoff to the character that makes the unsympathetic character of Haruo seem more like a major highlight of the trilogy than a glaring fault.
Fujita concludes, "This had-to-define, complicated, bitter flavor is the essence of the best Godzilla movies, and The Planet Eater offers this in spades.
While it took awhile to get there, the animated Godzilla trilogy ends with a fascinating chapter that — while unexpected — is worthy of the franchise.
It may have been a long and uneven journey but The Planet Eater ultimately makes it all one worth taking for Godzilla fans.
This is a list of references for Godzilla: The Planet Eater. These citations are used to identify the reliable sources on which this article is based.
These references appear inside articles in the form of superscript numbers, which look like this: [1]. Showing comments. When commenting, please remain respectful of other users, stay on topic, and avoid role-playing and excessive punctuation.
Comments which violate these guidelines may be removed by administrators. Godzilla Master. Ending was kinda anti-climatic. I mean, they built up Ghidorah as this insurmountable foe, only to have him be defeated by Godzilla because Haruo discovered his weakness.
As if it wasn't bad enough, Haruo then proceeds to commit suicide! This film series did not end on a high note, which really makes you feel like you watched the entire series for nothing.
I was dumbfounded when I watched Haruo die. But I guess his death kinda made sense, in a way. But then again, couldn't he have just, doh I dunno, put the Vulture on auto-pilot or something if it had that function?
I did really like the trilogy, though. It was all an interesting take on a lot of things Godzilla-related. Les: Huh. That's actually a good point.
I mean, I knew why he did it, but it was just a little sad. Especially with Live and Die starting to play. Perfectly-done thematic appropriateness.
Titanus Gojira. Green Blob Thing. Triceradon the 8th. While I'm admittedly in the camp of G-Fans who really doesn't like the Anime trilogy, I must confess that Ghidorah having a whole cult centered around him is a cool idea.
Titan of Water. Astounding Beyond Belief. Now that January 9th has passed and after pre-ordering my S. I actually did see it.
The King of the Monsters. People are continuing to take that interview with Hiroyuki Seshita out of context and insisting he intentionally made the movies different to piss of fans.
That's not what he's saying at all. Seshita is a lifelong Godzilla fan, and he felt it was important to have a non-fan's perspective to try and make the films appeal to a broader audience outside of hardcore fans.
So he told Kobun Shizuno to not watch any other Godzilla movies until the trilogy was finished, that way they would be able to combine the perspective of a fan and an outsider.
Seshita was saying that the fact some traditionalist fans have hated the movies at least proves he did succeed in making the movies different, which was one of his goals.
He doesn't say anything about how that reflects the quality of the films or even whether these people are justified or not, he is simply saying that it shows he achieved one of his goals with the trilogy.
Seshita and Shizuno also make it clear they were careful to not drift too far from what defines Godzilla as a character.
They changed his origin, sure, but kept the basic design and abilities intact and were sure to portray him as a force of nature spawned as a consequence of mankind's recklessness, especially the use of nuclear weapons.
Shizuno, even as someone who had only seen two Godzilla movies, was very careful not to ignore the core features of Godzilla as a character and tried very hard to remain true to it.
The King of the Monsters: Well hello Mr. Alright, fine Astounding. A litteral Mothra egg. Chainsaw Gigan.
Well Astounding I HOPE! No sir, I do not. Godzilla Raids Again. So at one point in the trailer, Haruo is in the Houtua hideout hugging one of the twins.
Oh dear god no!!! Why would you take a flipping Godzilla movie and sprinkle hentai all over it!!? Screenshot for reference:. Sam The Giganfan.
You can clearly see in the silhouette from the theater pamphlet that Ghidorah has a full body with tails and wings.
The poster merely shows Ghidorah's heads coming through wormholes. We haven't seen his full form just yet. If this somehow fails and it doesn't show a battle between the two and they pull a middle finger.
I swear I'm gonna I'm gonna I'm not what is expected anymore. AGT Man. Welcome to Wikizilla! Log in or sign up to edit pages and contribute.
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Godzilla Master 5 months ago. Score 0. Shogunguirus 6 months ago. I don't hate the anime trilogy. I'm fine with it.
But when a story doesn't even try to have a good ending despite its already mediocre plot, it is barely worth it to listen to what it's trying to say.
AngiraBlu 6 months ago. Basically, it's a future where Godzilla does die from the Burning form, bcuz Mothra never finds out about the symbiotic link between Godzillasaurs and Divine Moths, which would've saved him [even though she can perform and energy transfer, but I guess her life force is necessary for keeping the Burning form stable].
Several years after Godzilla's death, all kaiju go haywire and out of nowhere the Earth produces Godzilla Earth [? Les 6 months ago. Putting the Vulture on autopilot would've been missing the point of the scene.
He knew full well ramming a Vulture into Godzilla wasn't going to do shit to him. That wasn't his motivation.
He wanted to die so that he would be freed of the burden of Godzilla and not endanger his family and the rest of humanity by leading them into more suicide missions against him.
Ghidorah manifests as a shadow on Earth and partially through singularities, devouring Metphies's followers and destroying the Aratrum.
Ghidorah then proceeds to attack Godzilla, who is helpless against the intangible monster as its heads bite Godzilla and drain his energy.
Martin concludes that Ghidorah's true form exists in another plane of existence and is being guided by someone in their universe, Haruo finding it to be Metphies who had replaced his right eye with the amulet he repaired with the nanometal.
Metphies proceeds to reveal that his people devoted themselves to Ghidorah since learning the absolute truth that their universe is finite and fated to destruction, having worked to offer the monster planets to feed on.
Proceeding to telepathically assault Haruo, Metphies explains that the human's hatred towards Godzilla made him an ideal offering and tells Haruo that he must submit himself to Ghidorah as its witness to enable its full manifestation.
Maina and Dr. Martin use the Houtuan god 's egg to psychically reach Haruo and reveal how to stop Ghidorah, Haruo learning that Metphies orchestrated the deaths of the Tau Ceti e exploration party so they could be "saved".
At the same time, Haruo recalls the charm he lost the day he fled from Earth as a boy. Its image of flowers reminds him of the meaning of his name, "Spring", and the power of hope to overcome despair.
Haruo then breaks free and cracks Metphies' amulet, causing Ghidorah to become affected by Earth's physics and be ultimately defeated by Godzilla.
Metphies dies telling Haruo that Ghidorah will always be watching him as long as he lives. Time passes as survivors bury their weapons and integrate into Houtua society, with Maina pregnant with Haruo's child.
Martin tells Haruo that he got the last remaining Vulture mech working, having discovered how to use Mechagodzilla's nanometal in Yuko's body as a tool to rebuild civilization as it was.
Haruo's right eye stings, hearing Metphies's voice that this turn of events would ensure Ghidorah's eventual return to their reality. Taking Yuko with him, telling Maina that there are times when people face a day where they choose to fight a losing battle, Haruo provokes Godzilla into destroying him and all traces of the living nanometal for the good of the Houtua.
In a post-credits scene, Maina, showing signs of advancing age, watches a group of children conduct a ritual honoring Haruo, placing knotted strings representing their fears into a fire under a wooden effigy of a Vulture mech.
The English dubbed version was produced by Post Haste Digital. Takayuki Hattori returned to compose the soundtrack, marking it his fifth Godzilla film score.
XAI also returned to perform the film's theme song Live and Die. In May , a teaser poster revealed the film's title, release date, and potential appearance of King Ghidorah.
Joshua Meyer from SlashFilm stated "Rather than revert to a big dumb monster movie, The Planet Eater is able to balance its kaiju action with life-and-death concerns while wrapping up threads of character drama woven through the trilogy as a whole.
The movie plays with rich themes that might leave you thinking or scratching your head as you wait for the post-credits scene.
Fujita felt that getting through Part 1 and Part 2 was a "chore" but felt that Part 3 gave a "strong, more emotional payoff", stating, "While it took awhile to get there, the animated Godzilla trilogy ends with a fascinating chapter that — while unexpected — is worthy of the franchise.
Daniel Kurland from Den of Geek awarded the film 3 stars out of 5, feeling the animation was "lackluster" with "Regrettable" CG effects and Hattori's score was "questionable.
He also praised the film's themes of nihilism, hope, and harmony with nature but also calling them "polarizing", stating, "It's a rather extreme message, but this is far from the first pro-environmental Godzilla film.
If nothing else, you will be left mulling it over as the credits roll, which is probably exactly what the filmmakers intended.
Kai Hellberg from The Daily Free Press criticized the English dub, calling it "embellished" and particularly criticized the melodramatic delivery of Haruo.
He also felt the music was "out of place" and concluded by stating, "was not an outright failure. There are certainly captivating scenes and gorgeous animation.
But its primary fault is trying to be babied by the legacy of Godzilla, while under the guise of being a modern take on the franchise.
Instead it finds a way to make everything worse and leave a completely bitter taste after the movie comes to an end. He concluded by stating the film "wastes any potential for saving the series and is an incredibly disappointing film overall.
The sensation of watching this film is reminiscent of watching the disappointment from the Godzilla film Sony made in From Wikipedia, the free encyclopedia.
Theatrical release poster. Polygon Pictures Toho Animation. Release date. Running time. SciFi Japan. Retrieved October 12, Box Office Mojo.
Retrieved October 3, Retrieved December 28, Archived from the original on October 12, Culture Trip. Retrieved January 1, Dread Central.
Retrieved May 18, Anime Mojo. Retrieved August 1, Retrieved September 13, Coming Soon. Retrieved December 12, Retrieved November 5, Retrieved January 11, Syfy Wire.
Godzilla Planet Eater EMAIL SUBSCRIPTION Video
Why Godzilla Can't Be KILLED! - Godzilla: The Planet Eater Schnittberichte Maria Gresz 1988. Jetzt wird e Netflix und Drittanbieter verwenden Cookies warum? Der eine traut sich nicht aus der Deckung, der andere ist so schwerfällig, als käme er gerade vom All-You-Can-Eat-Sushi zurück. Weitere Details.
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