In Michels Hanekes Caché wird eine Familie mit geheimnisvollen Videobändern terrorisiert und so gezwungen, sich mit ihrer Vergangenheit. "Caché" ist ein genretechnisch nur schwer einzuordnender Film - bilden Sie sich selbst ein Urteil! Caché („dahinterliegend“, „verdeckt“) ist ein Spielfilm aus dem Jahr des österreichischen Regisseurs Michael Haneke, der auch das Drehbuch schrieb.

Caché (Film) Botschaften aus dem Verborgenen

Als dem Pariser Fernsehmoderator Georges Laurent eines Tages ein Videoband zugespielt wird, auf dem zwei Stunden lang eine starre Ansicht seines Hauses zu sehen ist, ahnt er sofort, dass mehr hinter der Sache steckt als der Streich eines Fans. Caché („dahinterliegend“, „verdeckt“) ist ein Spielfilm aus dem Jahr des österreichischen Regisseurs Michael Haneke, der auch das Drehbuch schrieb. Angeblich soll Caché Michael Hanekes zugänglichster Film sein. Man möchte hoffen, dass diese Aussage potentielle Zuschauer nicht abschreckt. Die DVD hat​. Moviemans Kommentar zur DVD: Ein interessanter Film in technisch guter Umsetzung. Beim Ton muss man Abstriche machen, aber die werden vom Film selbst. Caché ein Film von Michael Haneke mit Daniel Auteuil, Juliette Binoche. Inhaltsangabe: Die ruhige Welt des Georges Laurent (Daniel Auteuil) wird nachhaltig. Kritiken von Wolfgang Lasinger und Julia Teichmann zu Caché, Ö/F/D/I , In dem spezifisch französischen Zusammenhang, in dem der Film situiert ist. The movie is interesting, thought provoking and so Parisian in the feel and the attitude of the characters - a real insight into the culture. And the ending is a puzzle.

In Michels Hanekes Caché wird eine Familie mit geheimnisvollen Videobändern terrorisiert und so gezwungen, sich mit ihrer Vergangenheit. Kritiken von Wolfgang Lasinger und Julia Teichmann zu Caché, Ö/F/D/I , In dem spezifisch französischen Zusammenhang, in dem der Film situiert ist. Film: "Caché":Der Hahn ist tot. Michael Haneke erteilt in seinem neuen Film eine Lektion über Voyeurismus und Schuld. Fritz Göttler.

Elle attaque, elle cogne avec les mots et les silences! Lire plus. L'homme le plus classe du monde.

Marc T. Secret de tournage. Presque tous mes films traitent de la Comme Funny Games, ce film tire son pouvoir de la tension.

NEWS - Stars. Tanguy, Didier, Festen, Angel-A Mais parmi toutes ces annonces de projets, certains n'ont finalement Si vous aimez ce film, vous pourriez aimer Night Call.

La Maison du Docteur Edwardes. Gangs of New York. Apparemment il fallait pleurer mais je n'avais pas envie. Que dire devant autant d'horreur gratuite?

Que font les associations de protection animale contre M. Fuyez pauvres fous qui comptez le voir! On attend, on attend, puis rien finalement Une honte Deux heures!

Navrant, consternant, mortel! De bons passages, certains ennuyeux. Georges hat einen Verdacht, den er aber nicht mit Anne teilen will, was diese ihm übelnimmt.

Georges begibt sich in die Sozialwohnung. Georges glaubt ihm nicht, bedroht ihn verbal und verlässt die Wohnung.

Kurze Zeit später erhalten die Laurents ein weiteres Video, auf dem die Unterhaltung der beiden zu sehen ist. Nachdem Georges Anne gegenüber behauptet hatte, in der Sozialwohnung niemand angetroffen zu haben, ist er nun gezwungen, von Majid zu erzählen.

Von einer Demonstration in Paris kehrten sie nicht mehr zurück, sie wurden eventuell im Laufe des Pariser Massakers vom Oktober ermordet.

Zunächst wollten die Eltern von Georges den algerischen Jungen adoptieren, Georges aber war als Sechsjähriger eifersüchtig und erzählte Lügen über Majid, der daraufhin weggebracht und ins Waisenhaus gesteckt wurde.

Georges weist die Verantwortung für das Geschehene von sich, da er ja noch ein Kind gewesen sei. Wenig später wird Georges zu seinem Chef bestellt, der ebenfalls ein Video der Unterhaltung erhalten hat.

Auch Pierrot hat eine Karte bekommen. Dann spitzt sich die Situation zu, als Pierrot nicht wie gewöhnlich nach dem Training nach Hause kommt.

Nachts alarmieren die Laurents die Polizei, Majid und sein jugendlicher Sohn werden festgenommen, bestreiten aber vehement, etwas getan zu haben.

Pierrot taucht am nächsten Tag wieder auf, er war nur bei einem Freund. Majid bittet Georges ein zweites Mal zu sich nach Hause. Zunächst bestreitet er erneut freundlich, etwas mit den Videos zu tun zu haben.

Georges bleibt schockiert und ratlos zurück. Er geht ins Kino, spätabends kommt er nach Hause und erzählt Anne, was passiert ist, heute und damals.

Georges hatte Majid angestiftet, auf dem elterlichen Bauernhof einem Hahn den Kopf abzuschlagen, und danach gegenüber seinen Eltern behauptet, Majid habe ihn damit erschrecken wollen.

An seinem Arbeitsplatz wird Georges von Majids Sohn aufgesucht, der erregt, aber höflich auf einem Gespräch insistiert.

Georges greift auch ihn verbal an und weist die Verantwortung für Majids Selbstmord von sich. Der Sohn bestreitet seinerseits ebenfalls glaubhaft, etwas mit den Videos zu tun zu haben.

Am Ende des Gesprächs hat er, was er eigentlich wollte: einen Eindruck von Georges, dem Mann, den er für die Misere seines Vaters verantwortlich macht.

Georges geht früher nach Hause, nimmt Tabletten, zieht die Vorhänge zu und legt sich ins Bett. Dann, in einer letzten Szene, sieht man, wie Majids Sohn und Pierrot im Schülergetümmel vor dessen Schule miteinander sprechen.

Haneke nimmt in seinem Film auch Bezug auf die Geschehnisse vom Oktober Massaker von Paris , die den österreichischen Filmemacher u.

Pariser Polizisten erschossen, erschlugen und ertränkten in besagter Nacht ca. Claude Bourdet, Chefredakteur des France-Observateur , erfuhr vom Massaker durch schockierte Beteiligte und machte die Nachricht publik.

Er wurde daraufhin vom Polizeipräsidenten wegen Beamtenbeleidigung gerichtlich belangt und der Vorfall versandete in den Mühlen der Justiz.

Das Massaker gilt in Frankreich als Tabuthema und wurde u. Weitere Gründe für Haneke, den Film zu realisieren, waren zum einen sein Interesse daran, wie ein prinzipiell moralisch schuldfähiger Erwachsener damit umgeht, als schuldunfähiges Kind eine Tragödie verursacht zu haben.

Zum anderen hatte Haneke ein Interesse daran, mit dem Schauspieler Daniel Auteuil zusammenzuarbeiten. Haneke sagt von Auteuil, er habe, ähnlich wie früher Jean-Louis Trintignant , etwas Geheimnisvolles an sich, das einem immer das Gefühl gebe, er habe etwas zu verbergen.

Die Produktionskosten des Films wurden auf acht Millionen Euro geschätzt. Die Dreharbeiten fanden hauptsächlich in Wien und Paris statt.

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Caché (2005) Effective Opening Credits Scene

Daniel Auteuil. Juliette Binoche. Annie Girardot. Michael Haneke Director. February 12, Full Review…. February 17, Rating: A.

February 10, Rating: 3. July 28, Rating: 3. August 9, Full Review…. October 10, Rating: 4. August 30, Full Review…. View All Critic Reviews Oct 02, Sanity Assassin!

Mar 11, VHS tapes containing recordings of the Laurent household under mysterious surveillance begin arriving at their front door, and these tapes lead to strained relationships as the couple attempts to solve the mystery of who is sending the tapes.

I had no prior knowledge of this movie going into it. Typically, I don't watch a lot of foreign language films.

However, I've heard from multiple outlets that Cache is considered one of the best movies of the century, so I had to see what the buzz is about.

After viewing, I can understand the hype. Let me start by saying that Cache is not a movie for casual film fans. At two hours in length, it is a very slow movie and focuses more on the actors than the actions.

Also, as I said before, this is French film. If that's a turn-off, don't watch it. I believe Haneke directed a real piece of art here.

The tension is palpable throughout the run time thanks to long, static shots and a complete absence of music.

Seriously, not a single note is played in the background of Cache. It amps up the intensity in a way that makes it almost uncomfortable to watch.

Helping this cause are the two lead actors. Auteuil and Binoche have fantastic chemistry, and the strain in their relationship increases throughout the movie.

Speaking of ambiguity, the end of this movie is going to piss people off. Haneke has gone on record to say that he enjoys listening to people's theories on the movie because there really is no clear answer to the mystery.

While infuriating, it effectively makes me want to rewind and watch the movie all over again! Seriously folks, if you have patience when watching a movie, Cache is worth your time.

It only becomes more intriguing as the plot thickens, and you'll be unable to do anything except stare at the screen searching for subtle clues as to who is behind the mystery.

If you're up for the challenging view, Cache is for you rhyme not intended. Final grade: A -Ben. Ben B Super Reviewer. Sep 03, Unresolved narratives are deal-breakers for many film viewers, and if you are one of them, this film will likely anger you greatly.

For those willing to take on some heavy ambiguity, Haneke crafts a self-reflexive story about the relationship between film and memory, both good and bad.

Sam B Super Reviewer. Feb 02, Cache is a tight nerve wrenching, heart pounding, film. The greatest thriller of recent history. A couple with a near perfect life gets disturbed by video tapes arriving at there door of someone watching them.

No character development lead into this, the film dived right into this. Smart decision in my mind, because this film never wasted a second.

These tapes and occasional letters turned there lives upside down. There were no threats, no foul play, just the pure idea of being stalked crashed there lives to the ground.

I was incredibly tense through out, I was always on the edge waiting for what's to come next. The editing by Muse and Hudeck was unbelievable, the pacing was spot on.

The only thing I wish is that there would be at least some more of a conclusion. I'm not saying a give away, but a hint.

The film can be interpreted many ways with the open end, I'm still pondering a few possibilities. They visit the police with hope of aid to find the stalker, but as there is no direct threat, they refuse to help.

As the tapes become more personal, Georges takes it upon himself to figure out who is putting through his family through such horror. A true Michael Haneke Classic.

Written by Jodie Norton. Greetings again from the darkness. French films have a tradition of being filmed intimately, almost in a voyeuristic manner.

The idea is pretty creepy as Daniel Auteuil and Juliette Binoche have videos dropped on their doorstep showing the almost total nonaction occurring right outside their front door.

This puts quite a strain on their already passionless relationship. The joy of a suspense story is assembling the clues and deciding what is and what is not vital to solving the mystery.

Haneke does an admirable job of tossing clues and false trails on the viewer. The general consensus seems to be that if you somehow miss the last shot of the film, you can't solve it.

In fact, that final shot merely reinforces what we have already been shown. The blending of voyeurism, terrorism and revenge causes much stress for the two leads.

Auteuil is solid in his role, but the lovely Ms. Binoche really shines in her much more emphatic turn as the wife and mother who begins to unravel as the men in her life seem to turn on her.

Watching for details such as the TV newscasts, facial expressions and the timing of the appearance and disappearance of key characters will easily allow the viewer to solve the mystery, but it does not take away from the tension the situation creates.

This is a pretty solid thriller, but not in the class of Francois Ozon's "Swimming Pool" from a couple of years ago. Of course the topicality of technology makes "Cache" a bit more relevant at the moment.

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Plot Summary. Plot Keywords. Parents Guide. Including Majid's parents most likely. They never came back. Dad went to Paris to look for them.

They said he should be glad to be rid of a couple of jigaboos. During the Algerian War , the National Liberation Front responded to the French right 's attacks on France's Arabs , [8] and as many as protesters in Paris may have been shot or drowned in the Seine River.

Haneke began writing the screenplay by September I'm not going to give anyone this answer. If you think it's Majid, Pierrot, Georges, the malevolent director, God himself, the human conscience — all these answers are correct.

But if you come out wanting to know who sent the tapes, you didn't understand the film. To ask this question is to avoid asking the real question the film raises, which is more: how do we treat our conscience and our guilt and reconcile ourselves to living with our actions?

People are only asking, " whodunnit? But my film isn't a thriller and who am I to presume to give anyone an answer on how they should deal with their own guilty conscience?

Haneke also left it ambiguous whether the young Georges's claim that Majid coughed blood was a lie, but said he viewed the depiction of Majid menacing Georges with an ax as a mere nightmare.

While the Paris massacre inspired the plot, Haneke said the story was not about a "French problem" as something unusual, remarking, "This film was made in France, but I could have shot it with very few adjustments within an Austrian — or I'm sure an American — context".

Haneke explained, "I wrote it down when I got home and always wanted to use it. I think it sits well here because it makes people ask if it's true or not".

While the filmmakers intended the production to be entirely French, they discovered they could not raise the funds in the one country.

Haneke stated " Daniel Auteuil was the reason I wrote this script" and that he envisioned Auteuil and Binoche in the lead roles and had "almost all the actors in mind" while working on the screenplay.

Child actor Lester Makedonsky was cast as Pierrot, and because of his swimming skills, the filmmakers chose swimming as Pierrot's sport. Principal photography took place at Rue des Iris and Rue Brillat-Savarin, Paris, [34] where Haneke ordered parked vehicles arranged and rearranged to match his vision and prepare for tracking shots.

Haneke said most of the filming likely took place in Vienna. For the scene in which a rooster is beheaded, a real chicken was used and actually killed.

After stating the date, Georges adds "Enough said", indicating the event was better-known by , but also seemingly affirming silence about it; Walker points out that Georges ironically follows this with details.

Kilbourn writes that Georges had suppressed his memories and his sense of guilt and that for Haneke, trauma is lived in the present through memory.

Present-day conflicts such as the Iraq War and the Israeli—Palestinian conflict are depicted through a Euronews broadcast seen in the film.

Author Patrick Crowley writes these are used to represent "the return of the colonial repressed [ Radstone argues the focus on surveillance and Georges's confrontation with a black cyclist indicate the perspective is that of "the privileged and anxious white middle class".

Professor Todd Herzog states that after the 11 September attacks , mass surveillance became commonplace. Haneke reveals life without privacy, Herzog writes.

Smith tied Haneke's ambiguity as to the sender of the tapes to philosopher Friedrich Nietzsche 's writings on interpretation, quoting Haneke: "There are 1, truths.

It's a matter of perspective". The setting of Rue de Iris has symbolic significance, as "iris" refers to a part of the human eye and to a camera diaphragm.

Academic Jehanne-Marie Gavarini notes photography was employed to preserve memory in the 19th and 20th centuries, suggesting the videos in the story serve to assist remembering, as opposed to being evidence of surveillance as a terror tactic.

The fact that the world becomes picture at all is what distinguishes the essence of the modern age [ Scholar Hugh S.

Manon hypothesises the surveillance represents psychiatrist Jacques Lacan 's " le regard — 'the gaze'", as psychoanalysis , which Georges wishes to avoid.

Georges's general paranoia is observed in his failure to be open and forthright with his friends and employer.

In his mind, "the enemy is everywhere", Wheatley writes. Anne's position as "moral compass" is made ambiguous by hints of possible adultery with Pierre, according to Wheatley.

Majid may also be trying to cope with trauma, with Gavarini writing Majid lives in poverty, "still haunted by the disappearance of his parents".

Speck has written that Haneke rejected "pseudo-realism" in its recreations of Georges's childhood. Though it resembles a whodunit , the film does not reveal who sent the tapes.

This suggests Haneke himself is sending the tapes in the story. Noting that the opening sequence is characterised by a lengthy take in which the camera is stationary and focused on a street, with a "crowded composition" and a two-storey house in the centre, essayist Jonathan Thomas compares this to a photograph, along with sounds of birds, and described it as "idyllic".

Throughout the film, images are spliced, from the "dramatic present", "prerecorded video", seeing Georges on television, and flashbacks, according to Thomas.

In the stressful scene where Anne and Georges realise Pierrot is missing, Euronews plays in the background covering Barbara Contini in Iraq and Palestinians being killed in a protest; Walker notes that the background volume remains louder than the Laurent dialogue, while "classical realism" would require the viewer to lose interest in the background news.

By fall , Mars Distribution had signed on as the French distributor. By the beginning of November, Films du Losange found the film was performing "strongly" in France.

The website's critical consensus reads, "A creepy French psychological thriller that commands the audience's attention throughout".

Scott wrote that while he could criticise it as a liberal exercise in inducing guilt, it was "hard to deny its creepy, insinuating power".

The film's detractors include Andrew Sarris of The New York Observer , who wrote, "Too much of the plot's machinery turns out to be a metaphorical mechanism by which to pin the tail of colonial guilt on Georges and the rest of us smug bourgeois donkeys".

Ebert added the film to his Great Movies list in , expressing disbelief about missing a possible " smoking gun " after two viewings, crediting Juliette Binoche for a naturalistic performance, and pondered the massacre: "Has France hidden it in its memory?

Ebert questioned whether the last scene's encounter between Pierrot and Majid's son is the first time they met, or one of many encounters. He concluded Majid's son must be at least partly responsible and that Pierrot is a possible accomplice, as it is not clear where he is in many scenes.

The film was submitted as Austria's entry for Best Foreign Language Film at the 78th Academy Awards , but was disqualified as French is not predominantly the language of Austria.

The film's French release preceded the French riots , beginning with three deaths on 27 October; professor Gemma King writes the film offered a progressive perspective in contrast to the real-life divisions in the wake of the riots.

Following the film's disqualification at the Academy Awards, the Academy revised its rules so as to emphasise the filmmaker's origin over the country's language for eligibility for Best Foreign Language Film.

Subsequently, Haneke's French-language Amour won the award for Austria. He added, "The idea of a villain who is able to actively dismantle another person's life from the shadows is often scarier" than a visible threat.

From Wikipedia, the free encyclopedia. Theatrical release poster. Release date. Running time. France Austria Germany Italy [2].

See also: Paris massacre of Do we mourn at all, and if we do, what are we mourning? British Board of Film Classification.

Archived from the original on 2 April Retrieved 4 May British Film Institute. Archived from the original on 15 July Retrieved 21 January Screen Daily.

Archived from the original on 28 January Retrieved 28 January Box Office Mojo. Archived from the original on 11 May Austrian Film Commission.

But what does it mean? The Guardian. Archived from the original on 21 January Retrieved 20 January Sony Pictures Home Entertainment.

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Cache cache - Mystère Thriller Film Complet en Francais

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